DI workflow for the departet

The ASC has an interesting article about the DI workflow used on “The departed”. It is interesting, yet not surprising, that Michael Ballhaus watches HD dailies and is happy with them. Only a few short years ago it seemed a sacrileg to abandon film dailies.
Interestingly there has not been any technological breakthrough since then. HD is still 1920×1080. But people probably know now better how to do these things, and creatives are more comfortable with a digital aspect, since their final product will be created digitally anyway in the DI suite.

As for the rest of the “Departed” workflow it might have made sense at the time to procede as described at each step. But after a cursory read I am left with the feeling that the movie bounceds in and out of lots of formats in the process. I have not seen it, but it looked good from what I heard. Ballhaus’ movies usually do.

One Response to “DI workflow for the departet”

  1. Christopher Says:

    Another interesting piece on Ballhaus, although it includes the usual Fassbinder anecdotes.

    http://digitalcontentproducer.com/fieldprod/revfeat/video_scorsese_gangster_style/#sidebar

    christopher

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