{"id":1769,"date":"2006-12-17T20:01:29","date_gmt":"2006-12-18T03:01:29","guid":{"rendered":"http:\/\/www.andreaswacker.com\/blog\/2006\/12\/17\/di-workflow-for-the-departet\/"},"modified":"2006-12-17T20:01:29","modified_gmt":"2006-12-18T03:01:29","slug":"di-workflow-for-the-departet","status":"publish","type":"post","link":"https:\/\/www.andreaswacker.com\/blog\/2006\/12\/17\/di-workflow-for-the-departet\/","title":{"rendered":"DI workflow for the departet"},"content":{"rendered":"<p>The ASC has an interesting article about the <a href=\"http:\/\/www.ascmag.com\/magazine_dynamic\/October2006\/TheDepartedDI\/page1.php\">DI workflow used on &#8220;The departed&#8221;<\/a>. It is interesting, yet not surprising, that Michael Ballhaus watches HD dailies and is happy with them. Only a few short years ago it seemed a sacrileg  to <a href=\"http:\/\/www.theasc.com\/magazine\/april04\/sub\/index.html\"> abandon film dailies<\/a>.<br \/>\nInterestingly there has not been any technological breakthrough since then. HD is still 1920&#215;1080. But people probably know now better how to do these things, and creatives are more comfortable with a digital aspect, since their final product will be created digitally anyway  in the DI suite.<\/p>\n<p>As for the rest of the &#8220;Departed&#8221; workflow it might have made sense at the time to procede as described at each step. But after a cursory read I am left with the feeling that the movie bounceds in and out of lots of formats in the process. I have not seen it, but it looked good from what I heard. Ballhaus&#8217; movies usually do.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The ASC has an interesting article about the DI workflow used on &#8220;The departed&#8221;. It is interesting, yet not surprising, that Michael Ballhaus watches HD dailies and is happy with them. Only a few short years ago it seemed a sacrileg to abandon film dailies. Interestingly there has not been any technological breakthrough since then. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27,19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>DI workflow for the departet - Andreas Wacker<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.andreaswacker.com\/blog\/2006\/12\/17\/di-workflow-for-the-departet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DI workflow for the departet - Andreas Wacker\" \/>\n<meta property=\"og:description\" content=\"The ASC has an interesting article about the DI workflow used on &#8220;The departed&#8221;. It is interesting, yet not surprising, that Michael Ballhaus watches HD dailies and is happy with them. Only a few short years ago it seemed a sacrileg to abandon film dailies. Interestingly there has not been any technological breakthrough since then. 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